WILLIAM A. NOGUERA
Untitled, No.5 | Gesso and micronized San Quentin Prison-yard concrete, San Quentin prison newsprint, acrylic paint, and Masonite panel | 30 x 24 x 1.75 in
Untitled, No. 6 | Gesso and micronized San Quentin Prison-yard concrete, San Quentin prison newsprint, acrylic paint, and Masonite panel | 30 x 24 x 1.75 in
Untitled- January 13, 2022 (1915125414-21815208518) #10 | Acrylic Paint and Newsprint on Paperboard | 44 x 28 in | 🔴 SOLD
Till Memory Leaves Another Trace, Untitled - September 12, 2019 | Gesso with Ground Concrete from San Quentin Yard, San Quentin Prison Newsprint and Acrylic on Paper | 44.5 x 28 in | 🔴 SOLD
Untitled- November 29, 2021 (315161191212518) #5 | Gesso, San Quentin Prison Newsprint, Concrete, Wax, and Acrylic Paint on Paper | 44 x 28 in
Untitled – December 22, 2021 (2121311-16114208518) #7 | Gesso, San Quentin Prison Newsprint, Concrete, Wax, and Acrylic Paint on Paper | 44 x 28 in
Branded, Untitled – 15212012123 (OutLawX), August 12, 2020 | Gesso with Ground Concrete from San Quentin Yard and Acrylic on Paper | 44.5 x 28 in
Till Memory Leaves Another Trace, Untitled - January 13, 2020 | Gesso with Ground Concrete from San Quentin Yard and Acrylic on Paper | 44.5 x 28 in | 🔴 SOLD
Untitled- September 19, 2021 (Death of George Jackson) #2 | Gesso, San Quentin Prison Newsprint, Concrete, Wax, and Acrylic Paint on Paper | 44 x 28 in
Untitled- January 6, 2022 #9 | Gesso, San Quentin Prison Newsprint, Concrete, Wax, and Acrylic Paint on Paper | 44 x 28 in
Branded - Untitled 815154122113 (Hoodlum) September 24, 2019 | Gesso with Ground Concrete from San Quentin Yard and Acrylic on Paper | 28 x 22 in | 🔴 SOLD
Branded, Untitled – 451208181523 (Death Row), August 31, 2020 | Gesso with Ground Concrete from San Quentin Yard and Acrylic on Paper | 44.5 x 28 in
Untitled -Opus 1191212518X, April 17, 2018 | Gesso, San Quentin Prison newsprint, wax, ink, acrylic, acrylic paint on paper | 🔴 SOLD
Untitled #10, February 23, 2022 | Gesso, San Quentin Prison Yard Concrete, Stone and Acrylic Paint on Paper | 44 x 28 in
Untitled #15, April 2, 2022 | Gesso, San Quentin Prison Yard Concrete, Stone and Acrylic Paint on Paper | 44 x 28 in
Untitled – Opus 1182091920X, May 10, 2018 | Gesso with Ground Concrete from San Quentin Yard, San Quentin Prison Newsprint, Wax, Ink, and Acrylic on Paper | 28 x 22 in | 🔴 SOLD
UNTITLED #25, MAY 20 | San Quentin Prison Newsprint, San Quentin Prison Yard Concrete, Wax, Acrylic Paint, and Chipboard | 4 x 4 x 4 in
UNTITLED A-3 JUNE 14, 2019 | San Quentin Prison Newsprint, San Quentin Prison Yard Concrete, Wax, Acrylic Paint, and Chipboard | 6 x 6 x 6 in
UNTITLED #28 MAY 26 | San Quentin Prison Newsprint, San Quentin Prison Yard Concrete, Wax, Acrylic Paint, and Chipboard | 4 x 4 x 4 in
UNTITLED #24 MAY 8 | San Quentin Prison Newsprint, San Quentin Prison Yard Concrete, Wax, Acrylic Paint, and Chipboard | 4 x 4 x 4 in
UNTITLED MAY 22 #26 | San Quentin Prison Newsprint, San Quentin Prison Yard Concrete, Wax, Acrylic Paint, and Chipboard | 4 x 4 x 4 in
UNTITLED #30 JUNE 2 | | San Quentin Prison Newsprint, San Quentin Prison Yard Concrete, Wax, Acrylic Paint, and Chipboard | 4 x 4 x 4 in
William A. Noguera is an artist, author and speaker whose artworks have exhibited in Paris, London, San Francisco and New York. His recently published memoir, “Escape Artist,” has received critical praise from numerous publications, including Forbes Magazine and The Guardian. Noguera lives on Death Row at San Quentin Prison and his work is represented by Elder Gallery of Contemporary Art in Charlotte, North Carolina, courtesy of the William A. Noguera Trust.
During his nearly 4 decades on Death Row, Noguera forged a code by which he lives: accepting responsibility for his actions and following a self-imposed discipline of rehabilitation. He wakes, he meditates, he works his prison job and he paints. In the process, he has explored his capacity to bring focus and clarity to his artistic vision. In a place where expectation for redemption is and was minimal, Noguera dedicates himself to finding purpose and attempting to prove his remorse.
The range of Noguera’s artwork is broad: he first gained acclaim for his hyper-realistic montages in ink stippling but has developed significantly over the 36 years he has been on death row. He sculpts, paints and creates mixed media pieces that Noguera says “allow the viewer to experience through a personal narrative the landscape of my confinement and the traps that exist there.” Noguera’s present abstract style is rooted in geometry, constructivism, color theory and color field painting.
A key component of Noguera’s practice includes philanthropy with a focus on at-risk youth. 50% of sales proceeds from Noguera’s new cube series will go directly to The Arts Empowerment Project. The Arts Empowerment Project collaborates with lawyers, the Department of Juvenile Justice, the Department of Social Services, Guardians Ad Litem, and Mecklenburg County’s 26th Judicial District Court to bring art opportunities to vulnerable and at-risk children.
William Noguera co-hosts Death Row Diaries, the only true crime podcast hosted from Death Row. Available to stream on Spotify, iTunes, and iHeartRadio.
For updates from William and to receive his newsletter, sign up here.